Track 12 from Apologies to the Queen Mary is This
And so it ends. Today is the last day of our ’12 Days of Apologies’ project. I really can not thank Arlen, Dan, and Spencer enough for entrusting me with their memories. This site has always been an absolute labor of love for me. Apologies really means alot to me personally, and it literally lead to great changes in my life. I’m so grateful to know these guys and to have been part of an incredible 10 years.
Now on to celebrating This Hearts on Fire!!
That the album ends instead with “This Heart’s on Fire” becomes an act of triumph for Mr. Boeckner, who still talks about his mother (“I am my mother’s hen, and left the body in bed all day, we don’t know what to do”) but has begun to look forward to the future. “It’s getting better all the time,” he repeats again and again, while the song builds to a final closure and he yells, with a pack of brothers behind him, “This heart’s on fire, this heart’s on fire!” Backed by Mr. Krug’s keyboard arpeggios, Arlen Thompson’s nearly heavy metal drumming, and Hadji Bakara’s textured electronics, the swell is felt just as strongly with repeated listens.
This old 2003 demo is the earliest version of ‘This Heart’s On Fire’ with just Spencer, Arlen, and Dan.
Here’s an excerpt from the last chapter of my talk with Spencer. He also graciously emailed me how 3 of his songs from Apologies came to fruition and the inspirations behind them. You can read the full post here.
Who came up with the tracklist for Apologies?
SK: To be honest I think Sub Pop had a lot to do with putting the track list together. I remember Stuart (Meyer) from Sub Pop saying ‘You Are a Runner…’ has to be first and us just being like ‘yeah we don’t care, of course’. We didn’t care back then. I can’t remember if they had an idea for the entire sequence but I definitely remember Stuart wanting that song to be first. I remember talking for a long time about the sequence for Expo 86 and for a short time on the sequence of Mount Zoomer and not talking at all about the sequence of Apologies. The first record we didn’t care. We didn’t think it was that important probably. The label just suggested a sequence and we were like, yeah. I think we liked it because it went me, Dan, me, Dan for the most part. That set this precedent for all the albums.
This is also the last chapter of my talk with Arlen. Here’s part of it, but read on the main ‘This Heart’s on Fire’ page about the hilarious take of ‘You Are A Runner..’ that disappeared, featuring a dub reggae singin Isaac Brock! I’ll have the full version archived eventually on the ’12 Days of Apologies’ page:
That Rocket Bar show in St Louis that Spencer and Dan talked about was probably thee worst show we ever played. The place had a really weird set up to it and it had a bunch of the regulars, and they really didn’t give a shit. We played with two really bad openers and everyone was in a bad mood. We were just all super burnt out at that point. Burnt out with each other, burnt out on everything. You know playing a show that there’s no crowd; I don’t think there was any promotion or whatever. We were just super burned out. I remember we got in the van after that show and drove straight home to Montreal. Then we were in Montreal for a long time, basically waiting around for something to happen and that was pretty frustrating for us that we didn’t have any mixes and didn’t know what was really going on. There were songs that were unfinished which now I finally got the full master reels. I just got the reels last week actually.
This one created by Hadji’s step-dad has over 2 Million views!
The one and only time Wolf Parade performed on late night tv! Performing ‘This Heart’s on Fire’ on Craig Ferguson
You can see more videos, some amazing covers and illustrations, as well as the last chapter of my talks with Spencer and Arlen here.