Track 9 from Apologies to the Queen Mary is I’ll
This track is probably the most recognizable from the record. So many people are utterly inspired by this track. Here is a great quote from a fan:
John Watson: “My favourite song on this album is believe in anything- I have 4:36 tattooed on the back of my arm (the running time of the song). I used to commute to school in the Canadian winter by train and used to listen to this album on repeat. This song in particular I associate with the changing in friendships, enemies and overall relationships I had change over the course of my early 20s. Another key point to note about this song is that Spencer wrote it an extremely long time ago and along with standing the test of time, like people, has changed and warped into what it is today- a beautiful reflection of the hardships of a man. That’s something I really love.”
I’ll Believe in Anything first appeared on Spencer Krug’s earliest release as Sunset Rubdown, ‘Snake’s Got A Leg’, which features this amazing solo version. You can purchase Snakes Got A Leg from Absolutely Kosher Records:
Here is an excerpt from the last chapter of my talk with Dan Boeckner. Here he talk about the songs he wrote for Apologies and what they mean. You can read the full entry here. Thank you again to Dan for sharing this with us.
A lot of the songs like ‘This Hearts on Fire’ obviously are just completely autobiographical. ‘Same Ghost Every Night’ is also about that, and about living in this environment. This weird isolated rural area in Canada. It’s a little http://mightyjungle.com.au/cialis-tadalafil-online/ different now, the world has changed and there’s no industry here and the redneck component is a lot smaller. But at the time when I was growing up there was this backdrop of family tragedy but there’s also the environment you’re in. If you liked punk rock music, the environment is hostile to you. Because of the people who lived there and the environment itself, the natural world. People come here for vacation now, but for me as a kid I tuned into this aspect of it, an almost ‘Lovecraftian’ cosmic horror of living in this tiny outpost of humanity surrounded by the woods. And not in a nice way. In a way that nature is constantly just trying to swallow up these little colonies of humanity and just doesn’t give a shit about you. This forest just doesn’t care about you. You’re insignificant compared to it. And those two thing, my mom passing away and that feeling of being here I think that translated into the way I started writing songs and how I wanted to communicate things. I wrote about landscapes and describing geography more than I wrote about personal relationships or love. I would rather write about that, this place. Existential horror with a bit of positivity thrown in there. Maybe there’s an exit. There’s dignity in feeling that bad.
Official video by Matt Moroz
Fan Made Videos, Covers, Art
You can see all of the incredible artwork, videos, and covers as well as the last chapter of my talk with Dan here.