Two Tonne Bowlers

So last week we were told about this video that surfaced of Spencer Krug in his first band Two Tonne Bowlers. He talked about TTB when he answered our 5 Questions last year:

4. Can you tell us more about your time in Two Tonne Bowlers? How did the band come together?

First off, that band was undeniably terrible, but I was a teenager at the time, and therefore exempt in all mistakes made in the experimental worlds of art, love, and substance abuse, just as every teenager should be. That said, I’ll never forgive Carey “The Snitch” Mercer. Loose lips sink ships, and now, everybody, there will never be another Swan Lake record.

Two Tonne Bowlers started when I was fifteen or sixteen, and ended sometime between then and grade 12. We were nerds, so the high school band department had no problem giving us the keys to the band-room to use as a rehearsal space. There were eight of us to start, but at some buy cheap https://www.thecourtyardclinic.co.uk/buy-viagra-sildenafil-online-uk/ cialis professional online point we kicked out the saxophone player for being too good. He went on to Berkley to study jazz. Looking back, that was probably the smartest thing we ever did, even though he was pretty cool in his own right. He could play Stairway to Heaven on his alto sax.

We played some shows around BC, mostly in Penticton, our home town. One day we played a show in Nelson opening for a band from Vancouver called the Smugglers. They liked us. They had ties to Nardwuar the Human Serviette, singer for a band called Thee Evaporators, and he brought us to Vancouver to open for them, as well as a cool band called Carp. It was on Hastings street somewhere. I think the place is a weed cafe now. That was probably our biggest show, and maybe the last… I have a terrible memory but I doubt if we ever played more than fifteen shows.

Check out a 17 year old Spencer rocking out on keyboards:

Happy New Year from Spencer

Last month this site turned 5 years old. To celebrate, the Wolf Parade guys agreed to answer 5 questions from all of you. We collected the questions, shipped them off, and now they have returned.

Here is our New Year’s gift to you! 5 questions with Spencer Krug:

1. What are some of your musical inspirations? Why is it that you stuck with playing keyboards, and are there any keyboardists that you find influential? Additionally, do you have any inspiration from world music, or orchestral works (for example, romantic era composers)?

Here’s what I think about inspiration.

Last week I went to see Tron (obviously). I thought Daft Punk’s soundtrack was fantastic. Easily as good as Jeff Bridge’s performance of a tripped-out baby-boomer trapped in a computer learning Zen principles. But I didn’t go see that movie because I like Daft Punk. I don’t follow buy alprazolam 8 mg Daft Punk, so I had no idea they were doing the soundtrack, and wasn’t expecting to hear anything special that night. It was a surprise. I think most music that I like nowadays, or that I find inspiring, comes to me randomly, and in the form of a surprise. It’s as though I forget how much I like music – or even convince myself that I hate music, in general – until I hear some random thing that excites me, and then I remember how awesome that feeling is; that kind of actual listening; physically experiencing the thing, absorbing it purely, outside of any cultural context. And that feeling in and of itself is what’s inspiring. That, and knowing that it can exist. The music itself, the specifics of it, become secondary.

Continue reading this and the rest of Spencer’s answers here.